Bloc Party- I Still Remember

I realize now that, by this point, i have not posted half as much Bloc Party as i should have. Though the crew and our readers here at the Swords favor a more mathy steez, and i definitely love the massive amount of awesome music coming from our blog, Bloc Party fits a way more mainstream mold of songcraft. I feel as to issue a challenge to my fellow Sworders, to post or comment current pop music that tickles your fancy. I have a nostalgic love of musicians who make songs that are not only tight and interesting, but also refined in their skills at making a more simplified chord progression unique, and at writing songs that catch you on an emotional level.

I Still Remember is probably the most sentimental example i could use for a starting point though: the lyrics are pure emo pop gold. The verses talk about fleeting moments with a person you are crushing on, and the longing for something more to come of the times you spent with that person. Then the chorus hits, with lines about wishing the signals had been more clear between the two of you. This can all easily be read as simplicity expounded upon, but the song craft lies within its execution. The instrumental layers and catchy melodies really kick my ass, and even though its cheesy, i can rely upon this song to remind me that love can be more a reaction than a feeling in uncertain instances.



it comes at the tail end of a darkly optimistic album that i have loved for many years now. the link is below; more to come.

a weekend in the city

Refused-The Shape of Punk to Come

I was just surfing through some of the older posts on this site to get to some more downloading, and while doing so I was reminded of Refused for some reason; I was listening to A Troop of Echoes when i decided to look up the universally revered album that lead to the dismantling of the band behind it.

I remember seeing the video for New Noise back in highschool on some MTV afterschool and loving it, but never picking up the album; i would forget about them, and until just now I haven't heard anything else from their definitive masterpiece. Just from the first few tracks, i can tell how much they must have influenced bands like Mars Volta, Dredg, Bloc Party.. the list could go on. The range of sounds on this is truly special; in 1998, they were mixing a lot of sounds together that at the time was very new; great production for a punk-rock band, first and foremost, but then how they also added sampling in both spoken vocal snippits, but also sections of cool electronica; singing, screaming, winding song structures, and just limitless creativity for a 4 piece hardcore band. Here is New Noise:



It builds up some sweet heavy tension, before letting go to a cool electronic interlude before the vocals enter; The track is the centerpiece of the album, and after hearing the first 4 tracks that lead up to it, i can see how it is a song they decided to put dead center because it really solidifies the themes and sounds they spend the first 20 minutes of the album building, and put it to use for a very cool 5 minute single. I wont say anything more as I am just now starting to dig into the rest of The Shape of Punk to Come, but i am very glad i have rediscovered these guys. Dig it, fools!

the shape of punk to come

Bloc Party-Banquet

A little more Bloc Party action for you guys, one of the singles from Silent Alarm. Again, using cool ways of spreading rhythm throughout a band in a pop song is always nice; although its a bit simple in the verses, its has a nice bounce to it, clearly defining the roles of all the musicians in the track and building into a sweet chorus.

Bloc Party

Before i discovered Ra Ra Riot, i had been searching around desperately for another band to satisfy me as much as Bloc Partys first two albums did. I listened to a lot of shit in this time period, testing the waters of the genre with more mainstream, crappy stuff- The Editors and The Cribs come to mind; i still havent checked out The Killers beyond their singles, but they never really did it for me anyway.

Bloc Party was another purchase i made on a whim. A roommate of mine was heading out shopping and i wanted to tag along and grab some new music, so i quickly checked the Onion AV clubs record reviews, and the best reviewed album of that week happened to be A Weekend in the City. Unknown to me, Bloc Party was delivering a second album after being very well received after their debut. Where Silent Alarm was a minor-keyed pop rock album, it was still very easy to dance to and full of great hooks. Like Eating Glass opens the album and is one of their strongest tracks. It builds so well, and those drums are just bombastic.



But A Weekend in the City just got darker and more creative, adding in deeper studio work while using the 4 piece band to its fullest potential. The lyrical content got much more defeated and scared, second guessing the places they were in their lives and clinging to hope, yet the melodies of the verses and hooks that the singer uses are all very unique and dynamic. It was the strength of the band around these unique vocals that instantly drew me to them.

I Still Remember is probably the most friendly from A Weekend at the City, but it is also just a powerhouse example of how well these guys could write a pop song. The album adds a lot more electronics that were nonexistent on their debut, but I Still Remember is just the band alone, writing a nice love song with a great beat.



silent alarm
a weekend in the city

Bonus Track: two more years, a single the wrote between the two albums.

Final Fantasy-This Modern Love

Still on the subject of Bloc Party, this is a really really cool cover of a song of theirs from Silent Alarm performed by the very talented Owen Pallett. Dude is a very talented musician, but his live covers are what kill me the most. He goes simple, just a guy with a violin and a RC50 loop station, building loops on the spot easily and flawlessly. His covers are all great; if you dig this i suggest checking Peach Plum Pear, a joanna newsom song he does great justice to. I wanted to post that, but this is equally as badass and a bit more relevant. Its also a great Bloc Party track.