Saturday, October 15, 2011
For a self-titled EP this sure is a hoot and a half better than I'm used to hearing. Texas school mates Equals provide an extremely diverse palette of energetic post-rock with a clear love for the sweet sweet mathy goodness. Also of interest is the electronic end of things which more and more post-rock groups are pocketing these days. To be honest there are a lot of groups trying to ape that electro flim flam 65 days of post-math that is very rarely done well. Equals dials down the electronic elements and focuses on engaging songwriting, mood and at times pretty intricate instrumentation. What happens to be refreshing and sets these guys apart in addition are those melodic guitar lines that are getting dropped all over the damn place. If Equals can keep this kind of momentum up I dare say we should be looking at a pretty classy full length in the wings.
Friday, October 14, 2011
OK ya'll. This one is a fucking godsend if you are unfamiliar. So, the Swords are renowned for Acerolas fantastic tastes and knowledge of all that is math rock, but so far in our coverage of all that is badass, Ebu Gogo has escaped our radar. And it is easy to forgive: the epic trio of Justin, Gavin and Brendan (all original members of the futurerock band Gruvis Malt), upon reaching a permanent hiatus with the band they formed as teenagers, decided to get together as a trio and write music that went back to their roots. What inspired them as musicians? What did they love to listen to, and what musical themes made practicing a fun exercise, instead of the soul-crushing perfectionism that came with a major labels demands? They found that release in Ebu Gogo, a band dedicated to oldschool videogame soundtracks, 80s movies and classical motifs. The results were staggering. Their two albums, Chase Scenes 1-14, and their follow-up, 2008s Worlds, are epic instrumental albums of insane musicianship, melodically intertwined bass, drums and keyboard that shine in all dimensions.
Chase Scenes was a hell of a debut, but in Worlds, they found a flowing videogame theme that made the album something special. There are recurring themes, such as the four part Waterworld suite that spans across the album; nods to the always appreciated Training Montage from countless 80s classics, and the wonder that is H.U.G.S.
Besides H.U.G.S., nothing says Ebu Gogo better than British Knights in Miami, which has one of the most badass breakdowns of all time. Oh god do i love how the drum and bass respond to Gavins keyboards at about 1:13. That shit is just the tightest breakdown of all time. Enjoy, bitches.
British Knights in Miami by ninko
Sunday, October 9, 2011
(Eric Emm, Damon Che, Ian Williams)
I realize there has not been a proper Don Caballero post on the page and there are sound reason's for this. I presume those that frequent here enjoy math rock and thusly must be at least semi-familiar with Don Cab. This is not the post where I gush wildly about their influence on modern rock or their progression from Pittsburgh Math Metal to Avant Math Rock but a chance to showcase one of the storied pieces of writing from the era. It was written by Fred Weaver who was on tour with them at the time and gives an extremely thoughtful approach to what we normally come to expect from a tour diary. I will say it's a bit long but an excellent read if you value this group. It covers some of the very final days of Don Cab discussing the large tension between Damon Che and Ian Williams after the release of American Don not too mention the horrible car accident the group was in as well.
For reason's of being my favorite Don Cab release lets jive a little about American Don. Now down to a three piece (After 1st guitarist Mike Banfield left) this left much more room for Ian's more avant classical bent. While holding down those rockist drum and bass parts it was really the final form these guys could have taken. As such it was the groups last proper release before the group disbanded and Damon Che hijacked Pittsburgh's resident Don Cab sound alike band Creta Bourzia to "re-form" the group. If anyone knows Damon's contact info please inform him that he is an amazingly awesome drummer and if he wants to have a band not to sully the name of Don Cabs any longer because its bullshit.
Final Tour Diary