Friday, October 7, 2011


Shit son,
I thought i was keeping an eye on the count, but apparently i lost track cuz us at the swords have done reached 25g's in site views. Fuck yeah swords fans! Thank you so much for checking in on us in our attempts to share cool things with people. As thanks, im going to add this track of my own; a Ninko original. I recorded it a little over a year ago; one of my favorite personal tracks ive written. Again, thank you all.

Bounce by ninko
by the way, that picture is not of us at all.

Thursday, October 6, 2011

metaghostin' Vol. X - Any Color You Want

Any Color You Want - 38'35"
  1. The Juggaknots - "Jivetalk" / Clear Blue Skies (1996)
  2. Souls of Mischief - "What a Way to Go Out" / '93 'til Infinity (1993)
  3. Pharoahe Monch - "Hell" / Internal Affairs (1999)
  4. J Dilla - "The $" / Ruff Draft EP (2007)
  5. Lootpack - "Weededed" / Soundpieces: Da Antidote (1999)
  6. Raekwon the Chef - "Glaciers of Ice" / Only Built 4 Cuban Linx (1995)
  7. Dr. Octagon - "Girl Let Me Touch You" / Dr. Octagonecologist (1996)
  8. Count Bass D - "Ohio Playas" / Dwight Spitz (2002)
  9. El-P - "Truancy" / Fantastic Damage (2002)
  10. Goodie Mob - "I Didn't Ask to Come" / Soul Food (1995)


Wednesday, October 5, 2011

Wolf Parade

I feel this is a long time coming; for those of you unfamiliar with the Wolf Parade action, hello! Good morning. Are you ready for some sickness? Wolf Parade was a happy accident; they formed in Quebec when Spencer Krugs record label asked him if he could throw something together as an opening act for a label-sponsored tour. He recruited fellow songwriter Dan Boeckner, and the two formed the basis of what was then dubbed Wolf Parade. They were artists I was completely unfamiliar with in their solo projects, but after their maiden tour together, when they were ready to release their first LP as a band, they did so in a very unique manner. Spencer and Dan work very well together, but have their own distinct voices and writing styles, so the three Wolf Parade albums that have been released share a similar A-B-A-B rotation, where the two songwriters bounce songs off each other, each song switching lead singer/ songwriter credits while incorporating the others respective skills into the instrumental and harmonic aspects of their tracks. Their debut, Apologies to the Queen Mary, is a doozy, especially as debuts go; their sophomore release At Mount Zoomer is 2/3s awesome; and their third, Expo 86, is an outstanding indie rock album: at this point in my love of Wolf Parade, i am not sure if Queen Mary or Expo exceeds the other. I have digested Queen Mary a bit more deeply than Expo, so I will continue with that in mind.

For an act to debut an album such as Queen Mary is an anomaly: finding a cohesive sound and flow for an album basically written by two different people shows that they not respect each others choices, but put so much effort and intricacy into using the skills of the "second fiddles" to round out the mechanics of each individual track. It is a badass album; You Are A Runner starts the LP off with Spencer taking lead, but immediately bleeds into Dans amazing Modern World. The flow of the album is wonderful; so many standout tracks. I do want to highlight Dans track This Hearts on Fire, before getting into what I set out to talk about.

I'll Believe In Anything is one hell of a track. Shit ya'll. I could analyze it but i feel like it speaks for itself. The lyrics convey a sense of longing to be the savior of a woman needing to escape, while the video adds the twist of doing so just to prove the point that you are the better man in a competition for love.

apologies to the queen mary