At Years End....Almost

We are quickly approaching the end of our very own year 2012. There have been a A LOT of math rock releases with many of them still in heavy rotation for myself. I highly dislike year end lists...for a number of reasons that I'm not going to get into. Boring bits. However I would like to point out two groups that have managed to keep my brain in a death strangle hold since earlier in the year. 

 

#1:Renaissance Sound. 

I 

cant 

stop 

listening 

to this EP. 

Honestly just so fresh and interesting. While many of the groups this year falling on the well worn "rock" portion of "math rock" these cats are laying down highly calculated jazz that hints at math. Sure some of you may question how valid this position is given that you could argue this is just straight jazz. But come on at the heart of this release youve got a honest to god math group. With another EP on the way I am very much hoping these gentlemen continue to capture my heart. 

PoS

Bandcamp

______________________

Another wild exception to this would almost certainly have to go to Gastric Bands brain melting mutant world music math.

Heavy on the percussion with interesting rhythms all over this beast. Classic progressive rock mixed with equal parts math. Truth be told this is what I need when I am listening to a math group do their thing. Again being able to go out on a limb and trying something a little left of center goes a long way.

PoS

bandcamp 

Both of these groups get a gold star in my book this year and I couldn't be more excited to hear from both in the future.

-Ace

Ilya - Mutyuma

Curve ball coming right to your faces peeps. Ilya is a japanese group that plays a very singular style of music. Truthfully very little of it has to do with math rock... sue me. That does not mean it lacks in pure musical excellence. This stuff is a mix of classical music styled instrumentation, post-rock, metal and progressive math. The way these pieces fit together is the true star here because under less capable hands this could be an ugly ugly mess. HIGH REC's.


Link in comments :)

1Q84- Glenn Gould

This is a rather random post. As some of you may know, haruki murakami recently released his 2009 novel, 1Q84, in the States, translated from his native japanese into english. He is a very intriguing writer, with works that instantly grab you with their thoroughly detailed descriptions of mundane life that quickly turn surreal and engrossing, demanding your imagination in ways that relate to dream states and memory. 1Q84 is his grandest work, and throughout it he mentions pieces of pop culture, referencing songs and places and historical milestones to help you subtly set the scene as you read. As i have been reading along, whenever a song is mentioned i will quickly search it out and play it in the background as i continue through a scene. It is a fun way to "read along", as i am sure that while he was writing these passages he too was listening to the songs mentioned. He is an avid music collector, with an office lined with countless vinyl.

To make a longer story short, he mentioned a Bach piece called Well-Tempered Clavier early in the novel, as a focal character was introduced: I went to youtube and found the piece, preformed by the (apparently) legendary Glenn Gould. He was a highly regarded pianist that interpreted classical music with critically acclaimed style.

As i read, i had to stop my progress in the novel to watch the performance Glenn gave of this selection of the Clavier pieces. I thought of its execution as compared to watching a spider weave its web: you understand it fundamentally, as a flawless piece of mathematical construction; you can tell that the subject creating it has its scheme built into its nature, its very existence; and though you may doubt the slow, meticulous, ever-complicated crescendo of its progression while it is being created in front of your eyes, the end result is perfection.


For those of you not keen to most classical music, please skip to 3:40. Shit just gets out of control from that point forward. Below is Goulds interpretation of Bachs Goldberg Variations, another epic piece of classical solo piano subtlety.

goldberg variations