Creepy Cloud man guys. I suppose I would not want to fight him though.
Suuuuupah tight Math Rocks right here ladies and gents. These Virginia-born cloud-fighters just released their first album and its incredibly solid. The music itself is a very indie rock style of math and they do an incredible job of playing both sides of the fence. By this I mean the chill parts and the amped up portions are just as great as the other. Nice twists jump out as well to keep you on your toes but the true magic is something a lot of other bands seem to miss the mark with:
Vocals
Just some damn gorgeous melodies and harmonies here and it just makes everything all the sweeter. Even without the singing this band would be flowing aces. Songs follow a pretty traditional rock form but this just gets strengthened by the vocals all the more.
Strange Mangers are a new-ish band of teenagers from Boston that includes a heavy dose of jangly guitar in their indie rock brew. The songs tend to be pensive and catchy. The rhythms aren't at all mathy, but there's so much jangly guitar, effective dynamics, and well-placed vocal harmonies that you'll forget everything is in 3/4 and 4/4. The vocals are sparse, airy, and strong.
The one iffy moment is a misguided sample-based piece about the financial crisis in the middle of the EP. It doesn't really add anything and kills the EP's momentum. But thats what skip buttons are for, I suppose.
Stream/download Strange Mangers on their Bandcamp.
I have proclaimed much love for The Foreign Exchange, and afterwards Little Brother, and a big part of my appreciation of these two groups came down to the Phonte factor; Phonte fronts Foreign Exchange, and began his music career in Little Brother. He is a gifted vocalist/ rapper, renowned (in not only my own world) as a chorus genius, proficient foremost in creating vocal harmonies that go 6 parts deep with hooks to match. I mean, check out the chorus of the Foreign Exchanges track, Maybe She'll Dream of Me. Ain't no room for suckers in that studio; just the straight sickness right there.
So, 2011 finally saw to Phonte releasing his first solo effort as an artist, Charity Starts at Home. As usual, when given the mic to talk about what is on his mind, Phonte rises above any fronting and speaks about life as an artist making it through each day to rise and shine with the next. His rhymes are very personal, introspective and creative, and he knows when a tracks melancholy only requires subtly, and knows when to drop a serious chorus to enrich the positive emotions he talks about (as he does in Sending All My Love). It seems Phonte favored focusing on his rhyming on his debut solo release, letting some lovely female vocalists fill in on his hooks while he focused his own vocal parts on the verses. Great stuff; he worked with a number of producers for this release, including a much anticipated (for myself) reunion for a few tracks with 9th Wonder as his beat maestro; track 2, The Good Fight, properly kicks the album up a notch after starting so very strongly with Dance in the Reign (produced by Swiff D). Blam: The Good Fight:
