Showing posts with label math jazz. Show all posts
Showing posts with label math jazz. Show all posts
Friday, November 29, 2013
Night Idea - "Ocho the Cat" (2011) ; "Paths" (2013)
I have to admit, I'm a bit of a fan of Playful/Jazz/Math such as Our Daily Fix or Monster Machismo. Now while these men come no where close to the technicality of those two bands, they successfully capture that playful jazz sound that I've come to love so much. A lot of the songs are hit or miss for me on their first album, vocals really only showing up on the less mathy songs. They focus less on tapping and more on the time signatures themselves.(The two tracks that really get me here are Ocho and Open Mind.)
The next part of their discography, consisting of the "Paths" EP, is pleasantly a lot more mathy. Although it seems that somewhere in the process they ended up sacrificing most of their jazz sound for something a little bit more post-rock sounding. Which isn't a bad thing, but it isn't my cup of tea.
(I've notice them being talked about on the swords every once in awhile, specifically on the post about Brother Rutherfrord, but they were never given a proper write up. ) Overall I think its a good listen and both albums are worthy of your time.
Ocho the Cat
Paths
Sunday, November 11, 2012
Ten Past Seven
These guys are frickin awesome!! i cant believe i forgot to post them before!? went to see them play last night....hadn't seen them play in a few years. they still have bucket loads of energy!!
BANDCAMP
DOWNLOAD
Ten Past Seven are a three-piece instrumental shower from Kerry. In 2006 they released their debut album "Shut Up Your Face" on Out On A Limb Records. 2007 saw the band climb Carrantuohill (Irelands tallest mountain) and release the split 7" with Los Langeros "The Highest Bands In Ireland". Over the last few years they've toured Ireland extensively, played support to their heros and made jaunts overseas.
Their latest EP, ‘Bothar Buí’ (2010) very much reflects how a young band chose not to remain static but to constantly evolve and move forward. The title track features vocals by Katie Kim as well as remixed tracks by Kevin Blake, Toby Kaar and Molotov Ape and Laura Sheeran. However, this is not just about the sound; ‘Bothar Buí’ has been produced with a limited run of 100 pieces of slate each imprinted with an individual image. The are constantly developing new ideas and ways to deliver their music without the constraints of convention and finding alternative ways to carry their sound and concepts through to different audiences.
BANDCAMP
DOWNLOAD
Sunday, July 17, 2011
(Updation) Tangled Thoughts of Leaving - Deaden the Fields (2011)
Previously Posted Feb 7th
: Tangled Thoughts of Leaving have been a constant source of extremely unique Experimental Math/Jazz Rock. They are also singular in the fact that they feature out front the not so often used piano for Math influenced tunes. With their 2011 release "Deaden the Fields" the broken and technical style that they hold as their own has been sharpened to a razor point on this release. The rough edges of odd breaks and occasional technicality without purpose has been sanded down into an amazingly epic release. As such when the fat gets trimmed off the bone you usually run the risk of taking some meat with it too. "Deaden the Fields" loses any such semblance of grind that the band initially started with which is a shame. Don't let that deter you from the old snatch and grab. You wont find this to be a double jump into new territory for these Australian gentlemen but bet on the fact that this really is as good as it gets for this particular style. Enjoy.
Deaden The Fields (2011)
: Tangled Thoughts of Leaving have been a constant source of extremely unique Experimental Math/Jazz Rock. They are also singular in the fact that they feature out front the not so often used piano for Math influenced tunes. With their 2011 release "Deaden the Fields" the broken and technical style that they hold as their own has been sharpened to a razor point on this release. The rough edges of odd breaks and occasional technicality without purpose has been sanded down into an amazingly epic release. As such when the fat gets trimmed off the bone you usually run the risk of taking some meat with it too. "Deaden the Fields" loses any such semblance of grind that the band initially started with which is a shame. Don't let that deter you from the old snatch and grab. You wont find this to be a double jump into new territory for these Australian gentlemen but bet on the fact that this really is as good as it gets for this particular style. Enjoy.
Deaden The Fields (2011)
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